Was it a plate? Is a plate on the stage, still a plate? The essence of eternity does not exist The essence belongs to the present Performance, reshape the essence Perception, reshape the essence of being reshaped by performance The absolute control over the performance The mathematical pursuit of subjective essence To against the improvisation To against interaction Object to any expression of rights But there is no objection to perception Resonance — an attempt to draw two overlapping circles in a simple way The void between sensation and perception Selectively being ignored Applause to the sense of distance is a royal misunderstanding Perception, alienation, are both not the objective As both a paragraph and an inevitable by-product As the subject of perception The audience, no one could deprive the audiences’ right As observation would cause the wave function to collapse The ambiguity of the music Determined at the moment of being perceived Was it a plate? In fact, there are two plates in the world ⼀隻盤⼦是什麼？ ⼀隻在舞台上的盤⼦，還是盤⼦嗎？ 永恆的本質並不存在 本質屬於當下 表現，重塑本質 感知，重塑被表現重塑的本質 對錶現的絕對控制 即對主觀本質的數學性追求 反對即興 反對互動 反對對錶現權⼒的任何讓渡 但，無法反對感知 共鳴，是企圖徒⼿畫兩個重合的圓 介於表現與感知間的空 被選擇性忽視 對距離感的喝彩（applause）是⼀場盛⼤的誤讀 感知，間離，都並⾮⽬的 ⽽同時作為⼿段和必然的副產物 作為感知的主體 觀者，觀者並⾮毫無權⼒可⾔ 如同觀察會造成波函數的坍縮 ⾳樂的多義性 在被感知的瞬間確定 ⼀隻盤⼦是什麼？ 實際上，存在兩隻盤⼦